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Cacilda Becker Filmography

ActressBORN 1921PIRASSUNUNGA5 FILMS IN DB

CacildaBecker

Known for Acting · Floradas na Serra, Caiçara, Luz dos Meus Olhos

5
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BIOGRAPHY

Cacilda Becker was a luminary in Brazilian cinema and theater, celebrated for her powerful performances that captured the essence of national identity. One of her most notable films, "Floradas na Serra" (1954), showcases her remarkable talent and is a must-have for collectors seeking to understand the evolution of Brazilian film. This film not only highlights Becker's dynamic range but also marks a significant period in Brazilian cinema, making it highly sought after by enthusiasts. Despite a brief foray into television with "Ciúme" (1966), Becker's legacy is firmly rooted in her theatrical roots and cinematic contributions. Collectors value her work not only for its artistic merit but also for its historical significance in the context of Brazilian culture. Her films, particularly "Floradas na Serra," represent a pivotal moment in film history, embodying the spirit of a nation and the rich storytelling tradition that Becker championed throughout her career.

FILMS BY DECADE

FULL FILMOGRAPHY

5 films
FAQ

Frequently Asked Questions

What is Cacilda Becker known for?

Cacilda Becker is known for her acting, with notable roles in films such as 'Caiçara' (1950) as Voz, 'Floradas na Serra' (1954) as Lucília de Castro Reis, and 'Um Breve Encontro' (1968) as Laura.

What genres does Cacilda Becker's filmography span?

Cacilda Becker's filmography spans the genres of Drama and Romance.

What era does Cacilda Becker's work cover?

Cacilda Becker's work covers the years from 1947 to 1968, with her most active decade being the 1960s.

How extensive is Cacilda Becker's filmography?

Cacilda Becker's filmography includes 5 films.

What are some notable films in Cacilda Becker's filmography?

Some notable films in Cacilda Becker's filmography include 'Caiçara' (1950), 'Floradas na Serra' (1954), 'Um Breve Encontro' (1968), 'Luz dos Meus Olhos' (1947), and 'A Vaidosa' (1968).