Charles Henri Ford was a multifaceted artist whose work left an indelible mark on the landscape of American surrealism. His films, such as "Dirt" (1965) and "Poem Posters" (1967), exemplify his unique blend of avant-garde cinema and personal expression, making them highly sought after by collectors. "Dirt," with its provocative imagery and experimental narrative, captures the spirit of the 1960s counterculture, while "Poem Posters" showcases Ford's innovative collaboration with poetry and visual art, highlighting his role in the intersection of these mediums. Collectors are drawn to Ford's work not only for its artistic merit but also for its historical significance. As an openly queer artist, Ford's films reflect a bold exploration of identity and sexuality during a transformative era in American culture. His connections to iconic figures like Gertrude Stein and Andy Warhol further enrich the appeal of his films, making them treasured additions to any serious collection of avant-garde cinema and LGBTQ+ art history.