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Jon Rekdal Filmography

SoundBORN 1965OSLO5 FILMS IN DB

JonRekdal

Known for Sound Β· One hundred years of evil

5
FILMS IN DB
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BIOGRAPHY

Jon Rekdal is a multifaceted Swedish artist whose work resonates deeply within the realm of physical media collecting. Best known for his evocative score in "One Hundred Years of Evil" (2010), Rekdal has established a strong following among collectors who appreciate the synergy of sound and storytelling in cinema. His unique ability to blend atmospheric compositions with narrative intensity has made this film a sought-after title, particularly in its limited edition DVD and Blu-ray releases. Rekdal's contributions extend beyond just one film; his diverse portfolio showcases an innovative approach to sound design that enhances the viewing experience. Collectors are particularly drawn to his work for its artistic depth and the rare editions that often feature behind-the-scenes insights into his creative process. As a composer, musician, and filmmaker, Rekdal's imprint on film history is significant, making his works essential for any serious physical media enthusiast looking to enrich their collection.

FILMS BY DECADE

FULL FILMOGRAPHY

5 films
FAQ

Frequently Asked Questions

What is Jon Rekdal known for?

Jon Rekdal is known for his work in sound, with notable films including 'One Hundred Years of Evil' (2010) where he played Skule, 'Reflexions' (2008) as Male, and 'The Fur' (2008) as a Police officer.

What genres does Jon Rekdal's filmography span?

Jon Rekdal's filmography spans multiple genres including Adventure, Comedy, Documentary, Drama, and History.

What era or decades does Jon Rekdal's work cover?

Jon Rekdal's work covers the years from 2007 to 2018, with the most active decade being the 2000s.

How many films are in Jon Rekdal's filmography?

Jon Rekdal has a total of 5 films listed in his filmography.

Do Jon Rekdal's films appear across physical media formats?

The information provided does not specify which physical media formats Jon Rekdal's films are available in.