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A Day in the City is this wild documentary that really flips the travelogue format on its head. What starts off as a quaint look at Stockholm quickly spirals into chaos, with the city itself being obliterated by fire and dynamite. The tone is so anarchic, it feels like a Dadaist manifesto clashing with the mundane. Hulten, who later became a significant figure at the Museum of Modern Art, showcases this bizarre blend of humor and destruction, especially in that one scene where the city’s landmarks are comically dismantled. The pacing feels erratic, which totally complements the film's themes of subversion and rebellion. It's definitely not your average travel documentary; it’s a riotous critique wrapped in a surreal package.
A Day in the City is relatively scarce, with few prints circulating among collectors. It has gained a certain cult status due to its unusual approach and the director's later prominence. The film is often found in obscure documentary collections, and its unique blend of humor and anarchism intrigues those interested in avant-garde cinema. Its practical effects and subversive tone continue to spark conversations among film enthusiasts.
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