All Sides of the Road

This twelve-minute film features a 3D video capture, presenting a direct overhead view of the highway. The imagery transforms the road into a dynamic microcosm, reflecting both American landscapes and inner thoughts.

The film's photorealistic style is complemented by its phantasmagoric elements. The textures of asphalt and concrete mirror the grain of traditional film, creating a visual language that connects modern digital capture to earlier analog forms. The fleeting lane markers resemble the lines found on film leader, enhancing the connection between highway and cinema.

All Sides of the Road is a unique exploration of movement and perception, making it an intriguing piece for those interested in the intersections of film and landscape, particularly in the context of American avant-garde influences.