All the Mistakes I've Made, Part 2 (or: How Not To Watch A Movie)

The film showcases Daniel Cockburn’s distinctive approach, characterized by its cerebral exploration of complex themes. It features a short that delves into the nature of meaning and representation, as well as a performance piece that contrasts two notable postmodern horror films, John Carpenter’s In the Mouth of Madness and Wes Craven’s New Nightmare.

This program challenges conventional storytelling and invites viewers to reconsider the narrative structures they engage with. It is a fascinating intersection of performance art and film, appealing to collectors who appreciate avant-garde cinema and the evolution of narrative forms. Cockburn's work serves as a thought-provoking examination of the relationship between storytelling and its impact on viewers, making it a significant piece for those interested in experimental film.