All Things Were Now Overtaken By Silence

This film is a meditation on the filming of an intriguing play, showcasing a monologue by Jesusa Rodríguez. The black and white cinematography enhances the film's contemplative nature, inviting viewers to reflect on the themes presented.

The documentary aspect provides insight into the creative process behind the performance, while the dramatic elements highlight the significance of Sor Juana Ines de la Cruz’s poem, First I Dream. This combination creates a distinctive viewing experience that resonates with those interested in the intersections of art, politics, and history.