And Satan Calls the Turns

About This Movie

And Satan Calls the Turns is a curious piece from 1962 that captures a languorous day at the beach where desires and intentions collide. The narrative drifts through the interactions of six characters, with Emmanuelle, a wealthy heiress, wrestling with her infatuation for the youthful Ivan, who seems to have his sights set elsewhere. There’s a unique atmosphere, almost like a lazy summer afternoon that feels both inviting and tension-filled. The performances range from subtle to overtly dramatic, and the pacing meanders in a way that mirrors the characters’ own floundering pursuits. It’s distinctive for its exploration of themes like longing and disillusionment, wrapped in a certain rawness that’s hard to find in more polished films of the era.

This film has seen limited format releases, with original prints being quite rare, which increases its desirability among collectors. It's often overshadowed by more mainstream titles but holds a unique place for those interested in the subtler explorations of human emotion from that era. Interest tends to spike around discussions of lesser-known dramas, especially those with unconventional narratives like this one.