And Who but I Should Be

The film combines music and dance, providing a glimpse into the life of Joan, a professional go-go dancer who embodies joy and self-expression through her art. The narrative prompts viewers to consider the nature of interpretation in performance, questioning whether the meaning is inherent or constructed by the audience.

Joan enjoys being watched, and her dance becomes a symbol of both liberation and the complexities of artistic expression. Jørgen Roos manipulates the film's structure to emphasize these themes, inviting viewers to engage with the layers of meaning present in Joan's performances. As a piece from the early 1970s, it reflects the era's experimental approach to film and art, making it an interesting study for collectors who appreciate avant-garde cinema.