Anorexie I

Anorexie I delves into the unconventional aspects of photography, focusing on the accidental and irrational marks found in images. The film uses photocopies and overexposed prints to challenge traditional notions of photo quality and artistic intention. Patrice Kirchhofer's work is characterized by its embrace of chance and the unexpected, making this film an intriguing exploration of visual art.

The narrative, as described by Bernard Weidmann, suggests that Kirchhofer's approach offers a new perspective on how images can communicate. By selecting and relating to specific marks within his work, he invites viewers to reconsider the ways in which photographs can be interpreted. Anorexie I serves as a thought-provoking example of experimental filmmaking from the late 1970s, appealing to those interested in the intersection of art and media.