Decroux Film

In 1953, Shirley Clarke attempted to make a film about the renowned French mime Etienne Decroux. However, upon discovering that Decroux had left town, she pivoted and created In Paris Parks instead. This documentary serves as a follow-up to her initial intention, showcasing the unfinished workprint from her second attempt in 1955 to document Decroux's influence and artistry.

As a collector, this film provides a rare insight into the creative process and the challenges of documentary filmmaking. It highlights the significance of Decroux's contributions to the world of mime and performance art, making it a fascinating addition to any documentary collection. The film's exploration of unfinished works also adds a layer of intrigue for those interested in the evolution of artistic projects.