Dissolvimento

Dissolvimento features two women in domestic settings, engaging in distinct actions that are edited sequentially. The first segment showcases painter Gigliola Carretti involved with sexually explicit props, presenting an unusual parallel to the mundane act of brushing teeth. In the second segment, the director Pia Epremian is depicted from behind while seated on a toilet, adding a layer of intimacy and rawness to the narrative. The film concludes with a visually striking, almost abstract view of the fountains of Turin, further enhancing its artistic exploration.

This film is notable for its experimental approach, blending everyday actions with provocative imagery. It invites viewers to reflect on the interplay between the private and public spheres, making it an intriguing watch for those interested in avant-garde cinema from the 1970s.