Done To

"Done To" consists of simple camera frames that are often silent or disconnected from the intricate soundscapes that run parallel to the visuals. The film challenges traditional viewing experiences by allowing the soundtracks to dominate the images, creating a unique interaction between audio and visual elements. While there are moments when sound and image align, these instances are brief, further emphasizing the film’s experimental nature.

As an experimental work, "Done To" appeals to collectors interested in the avant-garde film scene of the 1970s. Its unconventional narrative structure and the innovative use of sound make it a notable entry in Kathryn Bigelow's filmography. The film’s approach invites viewers to reconsider the relationship between sound and image, making it a thought-provoking piece for those exploring the boundaries of cinematic art.