Getting In

Directed by an undisclosed filmmaker, Getting In uses its setting to juxtapose the seemingly tranquil atmosphere of a sunny afternoon against the complex themes of sexuality and property. The film's pastel hues provide a visual backdrop that contrasts with the underlying tension of its subject matter.

As a film from the late 1980s, it appeals to collectors interested in period-specific narratives that reflect societal issues. The exploration of real estate alongside personal relationships offers a distinctive perspective that may resonate with those who appreciate films that challenge conventional norms. Collectors will find value in how this film captures both the aesthetic and thematic elements of its era.