Go

Go showcases a precise aleatoric narration that balances chance with the will to form. The film focuses on the legs of a man and woman, depicting their movements as they come closer and move apart. This visual storytelling is presented in a negative format, accompanied by an atonal soundtrack that adds to the film's unsettling atmosphere.

The film can be interpreted as a commentary on an unsettled relationship, though its director, Adrian, has expressed dissatisfaction with this common interpretation. He suggests that a more abstract approach could have steered viewers away from this narrative focus. As a piece from the 1960s experimental cinema, Go is significant for collectors interested in the evolution of film language and narrative structure.