Good-Bye

About This Movie

So, 'Good-Bye' from 1971 is this quiet, almost meditative film that captures the essence of a young boy grappling with his identity in South Korea. The pacing is slow, almost reflective, which suits the themes of heritage and connection perfectly. The boy's relationship with the 'Koguryo Beauty' feels ethereal and genuine; there’s this tangible sense of longing and discovery. The performances are understated yet powerful, really evoking the silent struggle of the protagonist. It's distinct in its minimalistic approach and the way it weaves in cultural aspects without overwhelming the viewer. There's something humble about its storytelling that sticks with you long after it's over.

Finding 'Good-Bye' can be a bit of a challenge; it’s not widely circulated. Most copies linger in private collections or at niche film festivals. The film has a certain obscurity that intrigues collectors, especially those drawn to international dramas from the early '70s. Its scarcity and unique narrative style add to the appeal, making it a noteworthy conversation piece among enthusiasts.