Gotán

The film features Pablo Cedrón in a narrative that combines elements of joyous creative freedom with political affirmation. It presents a Buenos Aires street reconstructed in Ariane Mnouchkine's theatre, where various characters and settings come together to highlight the significance of tango. The storyline includes an old European man who can play bandoneón tunes but struggles with the tango itself, alongside scenes of friends gathering at artist Antonio Seguí's studio.

Gotán also features the music of Cuarteto Cedrón and includes a mix of imagery such as hobbyhorses and a disconcerted Indian, creating a rich tapestry of Argentine culture. Despite its artistic merits, the film has never been screened publicly in Argentina, adding to its intrigue within the realm of Argentine cinema and political commentary.