I like America and America likes Me

The film captures Joseph Beuys' performance in May 1974, where he was transported to the René Block Gallery in New York. For three days, Beuys lay on an ambulance stretcher wrapped in felt, sharing an intimate space with a coyote for eight hours each day.

This performance is a notable example of Beuys' avant-garde approach, blending art and experience in an unconventional setting. The film not only documents the performance but also invites audiences to reflect on themes of connection and identity between humans and animals.

Collectors of experimental films and performance art will find this title significant, as it represents a critical moment in the evolution of performance art during the 1970s. The unique premise and execution make it a point of interest for those engaged in the study of art history and media.