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Il divano (1917) is a curious piece, isn't it? Directed by an unknown, this silent short presents a rather whimsical premise. Polidor drags this oversized sofa down the street, and as couples sit, well, they inevitably share a kiss. The pacing is brisk, almost slapstick, which adds to the lighthearted atmosphere. It's fascinating how such a simple setup can evoke themes of romance and spontaneity. The practical effects come into play with the sofa itself, almost becoming a character in its own right, while performances rely heavily on physical comedy and facial expressions, quite the hallmark of silent cinema. There's a certain charm to its simplicity, making it distinctive in an era of grander productions.
Il divano has seen a few releases, but prints are quite rare. Most collectors seek out the original screenings or limited restorations, which aren’t always easy to find. Interest seems to be growing among those who appreciate early silent comedies and the unique narrative styles of that time. It's one of those charming oddities that often gets overlooked but can be a delightful discussion piece for any collection.
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