In Line

In Line presents a unique exploration of how audiences engage with media. Directed by Tony Conrad, the film delves into the interplay between language, trance, and control, raising questions about the nature of viewer submission. It challenges the viewer's understanding of their relationship with television and other programs, suggesting that enjoyment often masks a deeper complicity in their own submission.

The film's narrative dissects the ritualistic aspects of being an audience, revealing how this dynamic can become a conspiracy of self. Conrad's insights provoke reflection on the power dynamics at play in media consumption. This thought-provoking piece is likely to resonate with those interested in the philosophical aspects of film and media theory, making it a notable title for collectors focusing on experimental cinema and intellectual discourse in film.