In Person Only

The film follows a young man, portrayed by Jan Cina, whose life revolves around order and technology. His only form of interaction occurs when he tends to his pet snail, illustrating his profound isolation. When a common household appliance fails, he is forced to venture out into the world and confront the reality of human connection.

Set in a familiar future, In Person Only presents a unique aesthetic that reflects the protagonist's internal struggle. Vejvodová's direction intertwines visual elements that symbolize the emptiness of a life dictated by technology. The film poses significant questions about control and companionship, challenging viewers to consider the implications of a life lived in solitude.