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Interval is one of those quiet films that captures a moment in time. Roberto Fiesco’s direction lays a heavy atmosphere over the story, painting the city as a character itself. Carlos' frantic search for his boyfriend feels painfully real, and the late-night taxi rides offer a kind of intimacy that's unique. Aurelio, the taxi driver, brings a grounded presence that complements Carlos' desperation. The pacing shifts between slow reflective moments and frantic bursts, echoing Carlos' emotional turmoil. There's a rawness to the performances that feels unfiltered, which I appreciate. The practical effects of the city nightlife are understated but effective. It’s a film that lingers in your mind long after it’s over, not for its plot but for the feelings it evokes.
Shot on location in a bustling urban environment.Features a minimalist score that enhances the emotional depth.Cinematography uses natural lighting for authenticity.Fiesco's previous works focus on human connection and isolation.
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