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Italian Capriccio, from 1969, has a raw, almost disjointed feel that reflects the director’s own ambivalence about the work. The pacing is deliberately uneven, leaving you with this lingering sense of unease, which is quite fitting for a documentary. It wanders through themes of power and vulnerability, making you question the nature of film itself. The practical effects are sparse, but they serve the film’s stark reality rather than distract. The performances, if you can call them that, often feel more like glimpses into the human experience rather than traditional acting, adding to its distinct character. It’s a fascinating piece that invites analysis and contemplation, not for its beauty but for its raw honesty.
Italian Capriccio has seen limited releases over the years, making original prints quite scarce. As a documentary that strays from conventional storytelling, it has piqued the interest of niche collectors who appreciate its experimental nature. Most copies out there are from various film festivals, adding to its elusive charm for those seeking something different in their collection.
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