Killing the Dead

About This Movie

Killing the Dead is this gritty little gem set against the oppressive backdrop of Paraguay in 1978, under Stroessner’s dictatorship. It’s got this heavy, claustrophobic atmosphere, you know? Two guys, Pastor and Dionisio, are stuck in this morally gray area, burying bodies—like, how’s that for a job? Then they stumble upon Mario, who’s somehow still alive. The tension builds as they grapple with the decision to kill him. The pacing plays well with the unease; it’s almost suffocating. The practical effects are minimal yet impactful, making the violence feel raw rather than flashy. Performances are solid, conveying despair and moral conflict without overacting. It’s distinct in how it intertwines the political with personal survival.

Set in 1978 Paraguay · Themes of morality and survival · Unique blend of political history and personal conflict