La dernière (s)cène ou l’évangile selon Saint-Boris

The film presents a reimagining of biblical narratives, focusing on Christ and Judas, played by Lehman and Claudio Pazienza, respectively. It captures a raw and immediate atmosphere, filmed in a single morning before impending urban development altered the landscape.

The setting contrasts the historical weight of the Gospel with the modern reality of a city changing rapidly. The location's significance is amplified by its proximity to the last standing house before the construction of new buildings by the European Union. This context adds an intriguing layer to the film, making it a notable piece of cinematic art that reflects on both spiritual and social themes.