Line

The film presents a minimalist approach, focusing on the interaction between the subject and a round object. Susan Marshall's performance in white pants and shirt adds to the visual experience. The camerawork by Phill Niblock captures the essence of the film's experimental style, making it a notable entry in the realm of avant-garde cinema.

Collectors of experimental film will find interest in "Line" for its distinctive aesthetic and the innovative techniques employed by Niblock. This film is part of the 1960s avant-garde movement, reflecting the artistic exploration of the time. It exemplifies the unconventional storytelling and visual experimentation that defined this era in cinema.