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So, Little Moritz fait une course pressée is this charming little comedy from 1911 that really captures the essence of slapstick in its early days. The premise is simple yet effective—a doorman, played by Maurice Schwartz, tasked with delivering a love letter, and it spirals into chaos as he tries to escort the lady while fumbling through various mishaps. The pacing feels brisk, which keeps the energy high and the laughter rolling. It’s interesting to see how the practical effects are used, the physicality of the actors really shines through. Moments of confusion and slapstick brilliance blend together, creating a delightful atmosphere that reflects the playful spirit of early cinema and its experimentation with humor and movement.
Little Moritz fait une course pressée has seen limited availability over the years, often lost in the shuffle of early cinema. It’s not the most common title among collectors, but those who appreciate early comedic shorts find it to be a worthwhile gem. Given its age, finding a good print can be a quest in itself, but it’s definitely a piece of history that highlights the evolution of comedy in film.
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