Madame l'eau

The film follows three Nigerien farmers and their donkey as they travel to Holland to explore the potential for importing windmill technology to combat drought in their homeland. This narrative serves as a sequel to earlier works like Jaguar, Petit à Petit, and Cocorico Monsieur Poulet, showcasing Rouch's signature style with his longtime collaborators Damouré Zika, Lam Ibrahima Dia, and Tallou Mouzourane.

Madame l'eau combines elements of myth and humor, creating a surreal experience that also functions as a critique of the development projects that affect West Africa. The film's witty and poetic digressions provide depth to its commentary on the complexities of modernization and the unintended consequences of foreign aid. This title is significant for collectors who appreciate films that tackle social issues through innovative storytelling.