my stills 1952-2002

About This Movie

My Stills, 1952-2002 is a fascinating reflection on the intersection of photography and cinema. It’s David Perlov's last work, and he really dives deep into still images, exploring the nuances of frame, light, and movement. The film unfolds like a triptych, inviting viewers to ponder the essence of a moment captured. The pacing is contemplative, allowing time for the audience to absorb each image's weight. You can feel the texture of the stills, almost as if they’re alive. It’s not just a documentary; it’s a thoughtful meditation on how images tell stories. I find the atmosphere soothing yet provocative, particularly in how Perlov juxtaposes the stillness of photographs with the dynamic nature of film.

Explores the relationship between stills and moving images. · A meditative tone that invites reflection on photography. · Unique structure that dissects the components of visual storytelling.