Never a Foot Too Far, Even

This film appropriates a fragment from an old Kung Fu movie, yet it presents itself as an action movie without action. Through a double-projection technique, images from two separate rolls are overlaid, creating a single painterly image that fluctuates in color and texture. The narrative follows an obscure figure navigating a forest path, trapped between movement and stillness.

The film's structure is defined by a palindrome, with sequences that progress both forward and backward, challenging conventional storytelling methods. This creates a perceptual journey that emphasizes the cyclical nature of image and sound, leading viewers toward a point of convergence without a clear destination. The original sound composition by Malcolm Goldstein complements the visual experience, enhancing the film's unique atmosphere.