No. 8

About This Movie

No. 8 is an intriguing piece from 1954 that offers a curious glimpse into early animation techniques. This 16 mm silent film, rendered in stark black and white, features an untraced collage style that creates a fragmented, dreamlike atmosphere. The pacing feels erratic yet purposeful, almost like a visual poem, exploring themes of abstraction and perception. What sets it apart is its experimental nature; it’s a raw glimpse at the creative process that eventually led to its expanded counterpart, No. 12. It's not just a film but rather a conversation starter among collectors about the evolution of animation and the art of collage.

This film is relatively scarce, often overlooked in favor of more polished works from the era, making it a fascinating find for those into experimental cinema. Its history is tied to the broader development of animation as an art form, with collectors intrigued by its unrefined approach. The transition to No. 12 adds a layer of context, raising interest in how films evolve and expand over time.