One Hundred Days After Childhood

The film follows Serge, a sculptor, who works with talented children at a camp situated in an old mansion. As the story unfolds, Pioneer Lopukhin is infatuated with his classmate Ergolina, while Sonya Zagremukhina secretly admires him. Their interactions and emotional experiences are intertwined with their participation in a production of Lermontov's play "Masquerade."

As the plot develops, the teenagers navigate their feelings of love, jealousy, and drama, ultimately leading to unexpected confessions and outbursts. The combination of youthful passion and artistic expression creates a rich narrative that captures the essence of first love and the challenges of growing up. The film offers a unique perspective on the emotional landscape of adolescence, making it a significant entry in the romance and drama genres of the 1970s.