Our Corpses Are Still Alive

The film features a staged documentary format where five women, each with distinct backgrounds, come together in a small apartment. Their discussions and interactions reveal the complexities of their experiences growing up in the 1930s, from a lesbian-feminist journalist to a pro-Hitler housewife.

Rosa von Praunheim's work often delves into themes of identity and societal norms, making this documentary a significant piece for collectors interested in LGBTQ+ history and feminist narratives. The film's unique premise and the diverse cast of characters provide both a thought-provoking and informative viewing experience.

As a documentary from the early 1980s, it reflects a specific era in film that is important for collectors focusing on historical and cultural commentary. This title may appeal to those interested in the evolution of documentary filmmaking and its role in social discourse.