Record 957

Record 957 is conceived as a "visual impression" designed to accompany Frédéric Chopin's Preludes n. 5 and 6. Dulac's intent was to create a form of cinema that captures the essence of the visual experience without relying on narrative or dialogue.

The film opens with a shot of lightplay on a spinning record, establishing its cyclical motif. This approach reflects Dulac's inspiration from the dances of Loie Fuller, emphasizing movement and rhythm.

As part of a trio of films, including Αrabesques and Themes and Variations, Record 957 represents an important period in Dulac's artistic development. Each film is intended to be experienced in silence, allowing the visuals to resonate independently and convey emotion through imagery alone.