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Schenec-Tady I is an interesting piece from the early '70s that carries a kind of surreal, dreamlike quality throughout its runtime. The atmosphere is thick with intrigue, almost elusive, and you can really feel that the cuts made in '75 altered its original tone. The pacing is a bit uneven, which adds to its uniqueness, making it a curious watch for those into experimental cinema. And while the performances may not be the most polished, they have a certain rawness that feels genuine. It's fascinating how the discarded segments became the foundation for SCHENEC-TADY III; it kind of speaks to the unfinished nature of the piece itself, creating a layered experience for anyone keen on exploring its nuances.
Schenec-Tady I is a bit of a hidden gem in the collector world, especially considering its truncated version. The 40-minute premiere in London saw a lot of original material left on the cutting room floor, which only adds to its mystique. Collectors seem to find value in its evolution into Schenec-Tady III, as that connection makes it a topic of discussion among enthusiasts. While not widely available, the film has garnered a dedicated following, making original prints a point of interest for those into obscure cinema.
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