Seeing Is Believing

The film delves into the relationship between media art and personal history. It uses the medium of video as a tool for retrieving lost memories, particularly through the lens of a child searching for her father. The narrative reflects on the instability of an electronic world, highlighting how it affects the quest for stability across generations.

As a drama, Seeing Is Believing speaks to the complexities of memory and the influence of technology on personal identity. The film's exploration of videotape as a medium places it within the context of media art, making it relevant for collectors interested in the evolution of visual storytelling and the role of technology in shaping narratives.