Self-Portrait

About This Movie

So, 'Self-Portrait' is this intriguing little gem from 2008 that plays with the boundaries of self-representation and identity. It's shot entirely on a cellphone, which gives it this raw, almost voyeuristic feel—like you're peeking into the artist's world. The pacing feels casual, almost meandering at times, but that just adds to its charm. It's a metaphysical remix of Kiarostami's 'Close-Up,' which is a clever nod to exploring truth versus performance. The comedy here isn’t loud or obvious; it’s subtle, layered with a sense of self-reflection. What really stands out is the way it merges art and everyday life, reminding us how personal and public identities can blur in the digital age. Quite distinctive, really.

Interesting use of cellphone as a filmmaking tool. · Explores themes of identity and self-perception. · Reminiscent of Kiarostami's narrative style.