Shadow

In Shadow, Rikuro Miyai presents an intriguing concept of duality through film. The narrative follows the projection of two films side by side, showcasing the same shadow walking outdoors. One film displays the shadow in positive form while the other presents it in negative, creating a visual and thematic reflection of each other.

This film fits within the experimental genre, appealing to collectors interested in avant-garde cinema from the late 1960s. The unique approach to storytelling and visual representation makes it a notable piece for those focused on innovative filmmaking techniques. As part of the experimental film movement, Shadow stands out for its exploration of perception and reality through the medium of film.