Six Fifty

The film presents a dual narrative focusing on two characters. One is a middle-aged man, portrayed by Heath Lamberts, who delivers a monologue to an empty chair, representing a dialogue with God in a train station setting. The second character is Derik Caines, a painter from Newfoundland living in Toronto, who adds depth to the exploration of these themes.

Six Fifty delves into the hollowness of material wealth and the poverty of alienation through its poignant storytelling. The distinct settings and character portrayals emphasize the emotional weight of these issues, making it a notable entry in the late 1980s film landscape. The film's focus on personal struggles against a backdrop of societal expectations invites reflection on broader existential themes.