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Skyscraper Souls is one of those films that embodies the anxieties of the early 1930s, both in its narrative and its style. Edgar Selwyn crafts a moody atmosphere with a pacing that reflects the relentless drive of its protagonist, David Dwight. His machinations to build a towering skyscraper become a metaphor for ambition gone awry, with themes of greed and betrayal woven through his relationships, particularly with Sarah. The performances are compelling, especially the tension between David and Sarah's secretary, which adds layers of complexity. The practical effects showcasing the skyscraper's construction give a tangible sense of scale, while the romantic drama unfolds against this backdrop of corporate intrigue, making it an interesting watch for anyone into early sound cinema.
Explores themes of ambition and betrayalNoteworthy practical effects for its timeStrong performances, especially in romantic tension
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