Smell of Camphor, Fragrance of Jasmine

The narrative follows a director, portrayed by Bahman Farmanara, who has not made a film in 24 years due to censorship challenges. He embarks on a documentary project about Iranian burial practices for Japanese television, which becomes intertwined with his own experiences of grief and loss.

On the anniversary of his wife's death, the director encounters a hitchhiker whose story of spousal abuse and infant mortality prompts him to confront his own past. He discovers that someone has been buried in the plot next to his wife, pushing him to seek legal help from an attorney. Meanwhile, he faces health issues that complicate his journey.

The film weaves together personal and cultural reflections on mortality, making it a poignant exploration of life's fragility. As a drama, it holds appeal for collectors interested in international cinema and Iranian storytelling.