Son of Oil

The film presents a burlesque critique of economic and sexual systems, delving into themes of power and social pathology. Oursler's narrative is rich with allusions to various cultural references from early-1980s America, including the oil crisis and notable figures like the Son of Sam killer and John Hinckley. The story unfolds in a theatrical space that is both claustrophobic and fantastically rendered, showcasing Oursler's distinctive style that combines actors with puppet-like props.

Son of Oil’s dense narrative and subversive approach make it a significant entry in the 1980s film landscape. The film's commentary on media saturation and societal issues remains relevant for collectors interested in cultural critiques of the era. With its unique storytelling and dramatic elements, this film offers an intriguing exploration of the complexities of American life during a tumultuous time.