Street Film Part VII

The film presents a series of striking images captured in Chicago, Haiti, and the Southwestern United States. Fulton employs both black and white and color cinematography, enhancing the viewer's experience with an intriguing soundtrack that includes sounds of nature and improvised jazz. His saxophone improvisations further deepen the connection between the visuals and audio.

Aerial cinematography takes center stage as Fulton captures patterns of light and darkness from the cockpit of his Cessna 180 aircraft. This technique marks an early exploration of the intense focus that would define his later work in aerial filmmaking. The juxtaposition of intense imagery with the natural sounds creates a unique cinematic experience.