Suicide? No, Murder!

This film combines elements of diary and documentary, showcasing Jamie Nares's first trip home after three years in New York. The 1970s cultural backdrop influences the narrative, as the title suggests, reflecting a time of upheaval and personal exploration.

The visual style features Super-8 imagery, presenting moments shared with family in Nares's English home. This creates a playful yet meditative atmosphere, oscillating between tenderness and somber reflection. The film stands out for its formal lyricism, consistent with Nares's reputation for experimental short films.

Accompanying the feature is the short film Waiting for the Wind, which focuses on the artist's body in motion within her sparse apartment. This combination of works examines the everyday through both formal and metaphysical questions, making it a thought-provoking piece for those interested in personal narratives and experimental cinema.