Terrorism Considered as One of the Fine Arts

This documentary adapts its title and theme from Thomas De Quincey's murder text, offering a unique psycho-geographical exploration of Vienna. Peter Whitehead, a notable British filmmaker, returns to narrative cinema with this film, which combines elements of his own Nohzone novels into a rich tapestry of thought-provoking content.

The film examines the subversive underbelly of Vienna, weaving a poetic meditation that touches on conspiracy theories and the nature of cinema itself. It retraces the story of The Third Man while incorporating aspects of Noh theatre, Victorian literature, and the city's post-war atmosphere. With a kaleidoscopic approach, it reflects on diverse themes including opium and covert counter-insurgency groups, creating a layered narrative experience.

Collectors of documentary films will find this work intriguing for its artistic exploration and the depth of its subject matter. The blending of fictional narrative with documentary elements makes it a distinctive piece in the genre.