The Ontological Cowboy

The Ontological Cowboy is a documentary that captures Richard Foreman’s vision of avant-garde theater. It showcases Foreman’s reflections on the state of American theater, emphasizing his belief that 'the theater is about sex.' The film features Foreman in a lead role, where he plays himself, alongside Juliana Francis and other cast members who enact his artistic preoccupations.

This film presents a distinctive take on the rebirth of theater, with Foreman likening his role to that of a midwife facilitating a violent transformation. The portrayal of King Cowboy Rufus as he navigates the theatrical landscape serves as a metaphor for the struggles and aspirations inherent in the creative process. As a piece of experimental cinema, it stands apart from mainstream narratives, appealing to those interested in the evolution of performance art and its commentary on societal norms.