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So, 'The Thing' (2018) is a curious piece from Peter Strickland, although it’s really a collection of shorts rather than a typical narrative film. The format feels like an art installation, where various cultural figures share their personal connections to objects. The tone is introspective and a bit whimsical, with a sense of nostalgia woven throughout. It’s fascinating to see how each participant brings their own quirks and idiosyncrasies to the table, creating a patchwork of voices that reflect on materiality and significance. The pacing meanders, allowing moments of reflection that are quite unlike mainstream cinema. It’s definitely distinctive in that regard, a niche exploration of personal stories rather than a standard storyline.
Collector interest in 'The Thing' (2018) is somewhat niche, given its unconventional format. It doesn’t have a significant presence on the market, which might make it appealing for those seeking unique, lesser-known works. The film's journey on various home media formats has been limited, adding to its scarcity. As more collectors gravitate towards films that challenge traditional narratives, this might find a small but dedicated audience.
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