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The Turning (2020) brings a fresh spin to the haunted house trope, though it stumbles a bit along the way. The atmosphere is thick with dread, really captures the isolating feel of the mansion. The pacing? A tad uneven at times, but there’s this slow burn that keeps you guessing. Themes of childhood innocence versus corruption run deep, which is intriguing. The performances, particularly from Mackenzie Davis, lend a real weight to the unsettling narrative. Practical effects are used sparingly, creating a sense of realism that’s at odds with the supernatural elements. You can definitely feel the influence of Henry James’s work, which gives it that layered, psychological edge. Just a unique take, even if it doesn't quite hit all the right notes.
Explores themes of innocence and corruptionStrong performances, particularly by Mackenzie DavisUneven pacing but maintains a compelling atmosphere
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