There Are Not Thirty-Six Ways of Showing a Man Getting on a Horse

This documentary presents a rhythmically entrancing collection of images from Raoul Walsh's extensive filmography. It begins by showcasing a series of moments from Walsh's work, creating a supercut that captures his cinematic style.

As the film progresses, it transitions into a deeper exploration of themes such as memory and the mutability of cinema. Zukerfeld's approach provides a surprising perspective on the relationship between film and the recollections it evokes. This work engages with the legacy of Walsh while inviting viewers to reflect on the nature of storytelling and film history.