They Call Us Misfits

About This Movie

They Call Us Misfits feels raw and intimate, capturing the essence of a group of boys who exist on the fringes of Stockholm society. Stefan Jarl's observational style gives it a gritty realism, almost like you're peeking into their world without them knowing. The tone is reflective, with an underlying sense of longing that permeates their interactions. Pacing can feel languid, but it really works here, allowing moments to breathe and resonate. The performances from the young boys are candid and unfiltered, making their stories hit hard. What sets this apart in documentary filmmaking is how it doesn’t shy away from the struggles of youth – it’s not just a portrayal, but a deep dive into their lives. This is the first part of a trilogy, setting a fascinating tone for what’s to come.

First part of a trilogy · Gritty realism and candid performances · Reflective tone with a focus on youth struggles